Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Luca Giordano
Holy Ana and the nina Maria Second mitade of the 17th century

ID: 42021

Luca Giordano Holy Ana and the nina Maria Second mitade of the 17th century
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Luca Giordano Holy Ana and the nina Maria Second mitade of the 17th century


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Luca Giordano

Italian Baroque Era Painter, ca.1634-1705 Italian painter and draughtsman, active also in Spain. He was one of the most celebrated artists of the Neapolitan Baroque, whose vast output included altarpieces, mythological paintings and many decorative fresco cycles in both palaces and churches. He moved away from the dark manner of early 17th-century Neapolitan art as practised by Caravaggio and his followers and Jusepe de Ribera, and, drawing on the ideas of many other artists, above all the 16th-century Venetians and Pietro da Cortona, he introduced a new sense of light and glowing colour, of movement and dramatic action.   Related Paintings of Luca Giordano :. | Ein Cynischer Philosoph | Twilight on Zazar bank | The Fall of the Rebel Angels | Holy Ana and the nina Maria Second mitade of the 17th century | Portrait of Maria Anna of Neuburg |
Related Artists:
Thomas Le Clear
1818-1882 Thomas Le Clear Gallery
Walter Leistikow
1865-1908,German painter, decorative artist, etcher, exhibition organizer and writer. He studied painting briefly in 1883, at the Akademie in Berlin, but he was dismissed after six months as 'untalented'. From 1883 to 1885 he trained with the painter Hermann Eschke (1823-1900) and from 1885 to 1887 with the Norwegian painter Hans Fredrik Gude. Gude had a decisive influence on the style of Leistikow's early works, as is especially clear in Leistikow's light coastal landscapes with figures. His most significant work from this period, however, is Brickworks near Eckernferde (1887; ex-Gem?ldegal. Neue Meister, Dresden). Leistikow's dismissal from the Akademie concentrated his attention on issues of artistic policy. When the German government decided not to send works for exhibition in the Exposition Universelle in Paris in 1889, Leistikow himself organized the dispatch of works to Paris. In 1892,
Samuel Jackson
(1794 -1869 )






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